From the director of such films like Amelie, Alien: Resurrection, and A Very Long Engagement, comes Micmacs. This is the most imaginative revenge story since Kill Bill with a whole different approach. From what Jean-Pierre Jeunet, the director and co-writer, said, Micmacs is French slang for shenanigans and there are plenty of them in the movie. The story begins in such a weird fashion that it sets the tone for the rest of the film. First, a man is killed by a rogue weapon that goes haywire and leaves a son without a father and only a company logo to look at as the killer. Later on, the same son is working at a video shop and happens to stand in the exact angle of a rogue bullet so that it strikes him in the head. Luckily, he survives but unluckily, the surgeon operating flipped a coin and decided to leave the bullet in his head causing random hallucinations at random times which he can’t control. Again, with the bullet, the only clue he has is another company logo.
After losing his job at the video rental store, his apartment, and everything else he knows, he stumbles across a motley crew of people just like him living in a trash dump. I think you get the symbolism here, they’re the leftover people that others just toss away. While collecting odds and ends for his new trash crew which includes a contortionist, a writer, a stunt devil, machinist, and mother-figure who takes care of all of them, Bazil’s (our main character played by Dany Boon) vehicle breaks down in front of two buildings. The two buildings happen to be competing weapon manufactures who are across the street from each other. Coincidently, the two company’s logos are the same two logos in Bazil’s memory. The company who was responsible for killing his father and the company responsible for the bullet in his head. Now it’s time for revenge.
On his own, Bazil probably couldn’t have done much. But now with his team of has beens and wannabes, he can set off a plan to get sweet sweet revenge on two terrible people. He pits them against each other and the antics that ensue are hilarious and imaginative. It’s a nonstop back and forth battle to see what happens next and who has the upper hand. Throw in some gunmen and plot twists and you have a great creative and entertaining story. Even though the whole movie is in French, you are sure to laugh from the lines, body language, and facial expressions of the characters. An interesting relationship grows out of the trash pile as the story unfolds which is actually pretty cute and you start to root for every member of the trash team while hating the two weapon manufacturer owners even while entering their own private lives.
The shenanigans, or micmacs, start small but keep growing and growing and quickly escalate into the final scenes where the plan all comes together and Bazil gets more than just revenge for himself. Find this film. I believe it’s already on DVD in France but just making its rounds in the United States. It’s getting a limited release but should be opening in a decent amount of theaters as time goes by.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
Cyrus is an interesting story from the Duplass brothers about a guy down on his luck who finds the girl of his dreams. One problem, she’s really close to her only son…who’s 21 and still lives at home. Let’s back up a bit. We join John, played by John C. Reilly, as he continues to live his mundane single life after splitting with his ex-wife (Catherine Keener) seven years before. He’s still on good terms and pretty close to his ex-wife but she and her fiancé want him to get on with his own life and find somebody else. They invite him to a party which he reluctantly goes to and eventually makes an ass of himself in the process. But in the same night at the same party, he meets Molly, played by Marissa Tomei, and they hit it off right away…in a quirky way. The dialogue between them and throughout the movie is hilariously awkward. The only thing more awkward is Molly’s son Cyrus, played by Jonah Hill, and the relationship the mother and son have together.
John gets a little weirded out by what he observes in the relationship between Molly and her son so he gets his ex-wife to scope them out for him and give him her honest opinion. She approves Cyrus and Molly and thinks that they’re a great fit for John. Cyrus also approves John for his mother so they try to make it all work. However, all is not what it seems with Cyrus.
Cyrus (Jonah Hill) and his mom (Marisa Tomei) meeting John (John C. Reilly) and his ex-wife (Catherine Keener) in the park
The movie starts off really funny and keeps that upbeat awkward tone for quite a while. But a little after halfway through the film, the whole mood of the movie shifts to be serious…really serious. It almost hits you like a brick wall. You go from joking with the characters to watching their lives from a third party view. The shift was a little too much for me and almost made me feel like I was watching two separate movie. I wanted to go back to the first movie, but it was too late…the Duplass brothers were taking me on another path to try and connect to the characters on a different level.
John (John C. Reilly) talking to Cyrus (Jonah Hill)
All of the cast deliver incredible performances which make this movie work. Cyrus not only tricks the characters in the movie but he has to trick the audience too to make us wonder if John is just being paranoid or if Cyrus really does approve of him to be with his mom. Molly isn’t just overprotective of her only son, but Cyrus is overprotective of his only mom too. It’s an interesting chemistry between this weird love triangle (I know it’s wrong to put it that way since two sides of this triangle is mother and son – but it’s as awkward as this movie makes it, trust me). This film fell a little short for me because of the significant switch and ending. The first half was a great experience with these hilarious characters…the second half was too dull and depressing.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
If you’re a fan of the MacGruber sketch on SNL, you’ll love this film. If you’re not a fan, you’ll still love this film! It was hilarious. It’s a nonstop comedy mixing NSFW jokes with a plot which pokes fun at all super-spy/evil villain movies. Granted, I saw it at the World Premiere at the South By Southwest Film Festival where almost everyone wanted to see the film and was laughing and cheering the whole time, but I think that attitude will translate to theaters around the country. I kept thinking to myself, if I was in a regular theater on a Friday or Saturday night, would I still be laughing this much? I think I would. This is definitely a movie to take a group of friends to. You’ll be laughing at MacGruber and you’ll be laughing at each other for laughing at it. But how could they turn this short sketch that always ends in a fatal disaster into a feature length film? Well, let me tell you…
The movie begins with the government tracking down and recruiting MacGruber on a mission to stop his arch nemesis, Dieter Von Cunth, played by Val Kilmer. Reluctantly, MacGruber agrees and begins to assemble his all star team which came with a bunch of unexpected cameos from wrestlers of the WWE. Everything about this movie will make you smile, smirk, and laugh out loud. The SNL cast, Will Forte, Kristen Wiig, and Maya Rudolph deliver spot on performances that you would expect from their show personas. Val Kilmer and Ryan Phillippe give us the other half of the formula with Ryan playing the straight man, Lt. Dixon Piper, and Val Kilmer playing the over the top villain. There are a couple good running gags including MacGruber’s tape deck blasting smooth 80s jams and the inevitable making high-tech gadgets out of household items. There’s also a ridiculous sex scene that could rival the one from Team America: World Police…and Ghost.
MacGruber holding the tape deck from his Miata
MacGruber is pretty straight forward, there are a couple of twists and turns in the beginning and end of the film, but through the middle…it’s the typical spy movie mission where the characters have to collect information, figure out what’s going to happen next, and then try and stop it. MacGruber just gets around to do this in his own weird unique way that guarantees outrageous and ridiculous scenes including those scenes that just don’t make any sense but you just go with it because it’s MacGruber…and he’s a super-spy, he knows what he’s doing, right?
MacGruber (Will Forte), Vicki St. Elmo (Kristen Wiig), and Lt. Dixon Piper (Ryan Phillippe) running from imminent death
Let’s be honest, with movies like this you either set your expectations low or prepare for a load of crap. Comedies like this are easy to lead off the track since you’re dealing with this kind of humor but MacGruber surprisingly keeps it together and is a fun entertaining film that you’ll be walking out of with a smile on your face and craving more 80s tunes. You won’t be disappointed unless you were expecting McGyver. I wish I could make this review end in an explosion. BOOM!
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
South By Southwest is a great festival to see many indie films that may make it big or get unnoticed. Throughout the festival, you’re treated with a great assortment of films ranging from documentaries to hilarious comedies. I decided to group a few reviews together since these festival films are not as popular as the big budget studio films and it may be good for you to discover other films when reading a review for one just like I discovered films at the festival.
After watching over twenty full length features, I picked my favorite three films: Pelada, Cherry, and Mars. As it works out, they each come from three very different categories: one is a documentary, one is a drama, and the last is an animated comedy.
Pelada Pelada was such an amazing film. You get one of those feelings like “Am I really watching this right now?” I really hope this gets picked up by someone and in time for the World Cup this year when everyone cares about soccer (in America) again. Pelada tells the story of two Americans who love the sport of soccer. They’ve played virtually their whole lives, in college, but weren’t signed to a national or major team. However, they still play all the time and they’re usually asked why. The only answer they can give is that it’s for the love of the game and they can’t imagine life without it. They play pickup games and they’re not alone. Pelada follows these two on a journey across the world playing soccer games, learning about other cultures, and in the end…themselves.
From country to country, continent to continent, you see different cultures, people, and stories surrounding the sport of soccer. It seems like in every country they visited, they stumbled on an amazing story. In Brazil, they find a young girl who has been nicknamed after the great Ronaldinho. In Iran, they see how women are treated and what they must go through to just play a simple game. In China, they see how the sport is infused with different elements like Kung-Fu and street tricks. In South Africa, they see how the construction workers building the next stadiums for the biggest tournament in the world, the World Cup spend their lunchtime. The stories go on and on and keep you entertained as your narrators fly from country to country and venue to venue. It may be in clubs, on the streets, during break, late at night, or even in prison, but somewhere, everywhere, a game of soccer is being played. For such a light subject to some, it’s a strong and powerful story to others. Some of the audience in my screening had tears in their eyes as they watched the documentary unfold.
You’re not only allowed to travel along with Luke and Gwendolyn, but you’re allowed into their lives as they figure out what’s next for them. They always imagined playing soccer professionally, but as they get older they realize that that’s probably not in their future anymore. They see all these other people in the world playing pickup games while holding typical day jobs and supporting their families. Seeing this, they have to figure out if it’s their turn to give up the dream and focus on the future. But one thing is for sure, they’ll never give up the sport.
Cherry Heading into college early as a seventeen year-old, Aaron (Kyle Gallner) had a lot of growing up to do. He did just that in his first year away from family and friends…primarily his mother who influenced and controlled many aspects of his life. One thing she controlled was his class schedule, but as she left, his father gave him so advice: to not mess up like he did. Aaron decided that he wanted to take a drawing class since that was his passion instead of a mechanical elective which was pretty much just like the rest of his academic classes. His teacher didn’t let him leave his class since it was such a big opportunity, but Aaron took the drawing class anyway on top of his already heavy load. This is where he met Linda (Laura Allen), a slightly older student who came back to college. One thing led to another and she invited him back to her place for dinner. Aaron got dressed up and was ready to go on a date with this hot cougar but when he got to the house he met someone he didn’t know about or expect…her daughter. Her fourteen year-old daughter.
Even at fourteen, Beth (Brittany Robertson) is much more experienced than Aaron in many areas. Nonetheless, Aaron finds himself in this weird love triangle between his love interest Linda and Beth who has him as a love interest. He enjoys going back to their house and eventually starts sleeping there more than his own dorm room where his roommate constantly puts a tie on the door knob (which means he has a special visitor and to not disturb). Aaron starts to see how Linda and Beth live and becomes really involved in their lives until he’s almost like family – but he’s not – he’s become closer to both of the girls caring for them both in different ways.
This film really stood out to me. The story has been told in many different ways before, but this version felt more genuine. You get a connection to each of the characters and can sympathize with all of their positions…the actors did a great job with that. The way the story is told lets you assume the role of Aaron and deal with each problem as it arrives with him in the movie. Some of the situations are predictable but some scenes come out of nowhere and really surprise you. This probably had more of the mainstream elements and should have the easiest time getting picked up by a distributor.
Mars This animated film was really surprising. I missed the first screening because way too many people showed up to see it. The screening I got to attend was in was packed too. At first I didn’t know if it was full because of local support (the filmmaker and many people involved with the film were from the city where the festival was taking place, Austin) or if the movie was actually good. Well, both were true.
Mars dives into the relationships of humans and robots as they travel all the way to the red planet of Mars. At first, a robot is sent on a mission but as it lands, it breaks down and loses communication with Earth. Charlie Brownsville, Hank Morrison, and Dr. Casey Cook go on the first manned mission to really see what’s happening on the planet but each have their own reasons for accepting the dangerous mission. This might sound like a serious sci-fi film but it’s actually a hilarious romantic comedy. The animation style is tailored specifically for this film and adds to the story a lot (look out for the character’s hairstyles and clothing).
The dialogue was great and felt real as if you were there with the quirky astronauts on the space ship. They’re not your typical sturdy scientists you’d expect on a space mission. One is a washed up “hero” who is really just bored with everything else. Another could care less with what’s going on. And the third is obsessed with proving herself and fulfilling a lifelong dream. In the end, you get into the heads of the three on the ship and see another relationship between a couple robots.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
Sir Michael Caine is Harry Brown. You don’t want to mess with Harry Brown. At first glance, he’s your typical old Englishmen trying to live the rest of his life in the area he knows. However, his community is being overrun by gangs and young kids doing drugs and up to no good. The police don’t have much presence and most of them would rather just leave the area alone rather than do something about the crime. Initially, Harry Brown is the same way…he turns the other cheek until his best friend has enough and decides to take matters into his own hands. His friend didn’t have much luck…but he’s not Harry Brown….and Harry Brown is a badass.
This is a dark drama. The action is really just violence and it’s pretty realistic. Harry Brown is an ex-serviceman so he has the set of skills needed to kick some ass and take names (sound familiar?). He has one goal in mind: to get revenge for his old friend and clean up his community while he’s at it. He’s had enough and if the police aren’t going to do anything about it, well, he is.
The story is pretty basic and the sequence is pretty similar to movies like Clint Eastwood’s Gran Torino and Taken. However, this is Sir Michael Caine, one of the greatest actors of our time and he does an amazing job acting in this movie. As Harry Brown becomes a vigilante and goes on his mission to get retribution for his friend, he runs into a couple of interesting story lines and characters. There is one cop, played by Emily Mortimer, who wants to do the right thing and she and Caine keep crossing paths for better or worse. With these extra twists, the movie doesn’t get confusing and doesn’t go in depth into any of the side stories which is good as it does keep the audience engaged in the story until the final scenes which actually climax in a mini bedlam. Unlike other films, the action in this one isn’t over the top…maybe because the UK doesn’t allow guns and so people with guns is over the top for them. I really like this fact about the film though; it keeps it more realistic. It’s as if this can be anywhere and happen to anyone.
I’m having a little difficulty writing this review because I’m not too sure what to say. I did enjoy the movie and think others will be entertained…but it’s not your typical “have to see” action film. It’s not going to break any blockbuster records or have you running to the theater to see the movie, but while you’re watching the movie, you get pulled in to this not so fictitious world and you try to stop yourself from blinking so you don’t miss the next scene. Maybe that’s why it wasn’t picked up by a major studio but still will be shown in limited theaters in the US…but if it’s playing by you, you should definitely check it out.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
Starring Robert Duvall, Bill Murray, and Sissy Spacek, Get Low is a story of redemption, forgiveness and reputation. Loosely based on a true story, Get Low is about an old hermit living in the woods who decides to attend his own funeral. Living in isolation for about forty years, Felix Bush started to get a reputation of being a crazy and horrible man. He heard about all these stories about him but didn’t actually know the stories since nobody was actually courageous enough to talk to him. So, naturally, he wanted to hear these stories and knew that people would say them at a funeral eulogy. One problem though, he wasn’t dead. But why does he have to be?
The local funeral home was low on money and saw the old man had a wad of cash and wanted to have a funeral. So Frank Quinn, comically played by Bill Murray, decided to give him one. They ended up calling it a funeral party and things were set in motion to make it happen. As time passed, it became the biggest event of the town but something was wrong. The old hermit, Felix didn’t actually want to hear people tell stories about him; he wanted to tell a story of his own. However, he wasn’t brave enough to say it himself, tried talking a couple old acquaintances to do it for him, but wasn’t able to find anybody to do it for him. Instead of figuring out what people thought about him, he wanted to set things straight himself and release a secret that he had been holding in for decades.
It’s remarkable how the film kept the feel and tone of the 30s which is when the story took place. The cast was incredible and delivered their parts only as top actors could. Robert Duvall was this stubborn old hermit who you could tell was always thinking, knew exactly what was going on, and what was going to happen even though he didn’t speak many words. Sissy Spacek’s scene with Duvall as he began to speak the truth was powerful and felt very real…their chemistry was uncanny. Bill Murray only has to open his mouth for one line and you’re laughing so he was perfect for this role and was hilarious even though he wasn’t really saying jokes back to back. He was just a funny and likeable character.
The story kept getting bigger and better as the movie went on. You get the different perspectives of the cast of characters and slowly realize Felix’s plan as it unfolds before your eyes. What begins as a funny scenario of someone attending their own funeral turns into a meaningful and serious idea of making things right before it’s too late. It’s a great story packaged in a great movie that an older audience would enjoy. I doubt this will get a major release but be sure to look out for it in limited theaters, festivals, or on TV/DVD when it becomes available.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
Centurion was the Super Secret TBD Screening at the 2010 South by Southwest Film Festival. I couldn’t find out any information about which film it was going to be and honestly, when they said it would be Centurion at the theater doors, I had no idea what the movie was and had no time to look it up online. So throughout the entire film, I was trying to figure out if it was an old film or a film that had not come out yet. It’s the latter…it’s planned to come out in the UK in April and there is no planned US release date yet. I couldn’t tell if the film was new or old because it’s a time piece based in the first century and is filmed in a way that puts you back in that time. It’s a bit grungy and definitely not polished with newer techniques and high tech CGI. Don’t get me wrong, that doesn’t take away from the movie at all, but instead, it adds to it.
Centurion is the tale about the legendary Ninth Legion which mysteriously vanishes while out to capture more land for the Roman Empire. No one really knows what happened to this group of soldiers but Centurion tells one story of what could have happened. Have you ever thought to yourself how people could battle and fight each other back in the days when guns weren’t invented? When all they had were pieces of metal and their bare hands? This movie holds nothing back and shows you how it was done back then! It’s probably one of the goriest in your face films made in quite a long time. Usually, when an actor uses his sword to attack another on screen, the camera moves away in the following frames. Centurion doesn’t – it keeps you right there in the action. No matter how many slasher and bloody films you’ve seen, you’ll be squirming in your seat during some of the scenes in this movie. Guaranteed. The action is incredible – it’s gruesome and wonderful. The group of characters you follow are enjoyable and at times comedic. The villains, who are the Picts, are pretty badass and cutthroat including a bad b*tch played by Olga Kurylenko whose tongue is cut out. If it wasn’t, all the guys in this film would be hearing a mouthful.
While the movie is entertaining, it isn’t over the top amazing. I don’t see anybody going out of their way to watch this one which is probably why it hasn’t been picked up for a US release yet. I’m writing this review after seeing Clash of the Titans and I would definitely recommend Centurion over that. Clash of the Titans is rated PG-13 and Centurion will most likely be rated R but comparing the movies after seeing both, Clash of the Titans is G and Centurion is NC-17…the action scenes are just that bad ass and visual. You’ll be wanting to high-five your friends after every hit and blow. Needless to say, lots of people die in both movies, but they die so much better in Centurion .
Here’s the international trailer so you can get a glimpse of the movie, but it doesn’t show any of the awesome scenes (you’ll have to wait for a red band trailer for that)
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
This movie will span many generations. Memories will be relit for those who lived through the golden age of Rock and Roll and for the younger viewers; it will give a glimpse into a true story that should be told for future generations so it’s great that this movie was made. The Runaways takes us through the journey of a group of young girls who become one of the first all girl rock bands when the industry was almost completely male dominated. The plot focuses mainly on the relationship between Joan Jett and Cherie Currie played by Kristin Stewart and Dakota Fanning, respectively. Managed by Kim Fowley, this mishmash of girls are brought together to be trained into rock stars. All together, it was an entertaining well-paced movie. In most rock docs, they concentrate too much on one aspect of the rock band; usually the early years or after they finally make it. The Runaways has good balance through the whole story taking us from the beginning to the eventual end of the band.
However, some of the movie felt rushed. When the artists came up with new songs, they just recited lines rather than giving us the feeling as if they were really coming up with brand new lyrics before our very own eyes for the first time. Also, the movie made it seem like it was really simple to make an international rock band and rock stars. All you need to have is a hot front girl, catchy chorus, and sexy pictures. Maybe, that’s how it went down in real life, but it would’ve been nice to see more emphasis on the music. This was also a theme of the movie which ultimately broke up the band, the fight all bands eventually have between the promotion and the music. In the case of this movie, music lost and it highlighted all of the excess that comes along with the rock and roll lifestyle which was still interesting to watch.
You forget how young these girls are and the serious situations they went through: drugs, sex, and rock and roll. It’s always interesting to see how movies film drug scenes. For something that’s almost indescribable with words, audio and video helps, but it’s still hard to capture the feelings. The Runaways has its fair share of these types of scenes and does a decent job. If you’re a Joan Jett, Cherie Currie or The Runaways fan, then you definitely need to check out this movie. If you’re interested in the rock and roll lifestyle or an alternative coming of age story, then this is worth the watch. And finally, if you’re into Girl Power, then this is another flick to add to your collection since it shows how a group of girls penetrate the world of boys and their guitars while having a “we don’t care” rock star attitude towards sexism. If you don’t belong to any of those categories, then this movie probably isn’t for you since it doesn’t really bring anything new to the table, just tell a story that needed to be told.
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
And that’s a wrap! The South By Southwest 2010 Film Festival is over and wow, what an experience it was. In total, I got to see 22 films in 7 days mixed with 2 other conferences! It was quite intense but really fun and informative. Here’s the 2nd half of my film journey:
Day 6: Wednesday, March 17th.
I started off the day with finally getting into the Ritz on 6th Street. Earlier, with all the crowds from the weekend, I was turned away from seeing Mars. But luckily, today, I got a seat to see Cherry and I was really happy afterwards, because it was a great film. I’ll definitely be writing a full review for this one because it’s either my 2nd or 3rd favorite film of the festival, I’m still trying to decide. (Funny enough I’m trying to decide between this and the film I missed at the same theater earlier, Mars) After, I moved back to the Paramount where I saw Get Low starring the incredible cast of Bill Murray, Robert Duvall, and Sissy Spacek. Following that, I saw a Swiss Sci-Fi film called Cargo and the super secret midnight screening of Centurion.
Day 7: Thursday, March 18th.
Today I ventured off and saw some of the Music from SXSW. The only movie I caught was The Runaways starring Kristen Stewart and Dakota Fanning. I should have a full review of it later today (since it came out this weekend).
Day 8: Friday, March 19th.
Last day of SXSW Film (for me .. I did Music again for the full day on Saturday). I decided to stick to one theater and just watch movie after movie there. I started with Canal Street Madam, a documentary on the life of Jeanette Maier as she continues her life after an FBI raid on her family-run brother in New Orleans. Next was One Night in Vegas, an ESPN documentary about the tragic night where Mike Tyson won the heavyweight belt but Tupac Shakur lost his life. Finally, I got to see the animated film Mars which was well worth the wait and either my 2nd or 3rd favorite film of the whole festival (read above for more about that). I finished off the night by singing karaoke with other film festival peeps right next door at the High Ball – a great way to end a great festival.
More in depth reviews for many of these films will be coming later on in the week. There were a few films I didn’t get to see which I’ll have to run down now but all together, I had a great festival experience seeing great movies and meeting great people. See you next year South By Southwest!
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
I apologize for not updating more but the South By Southwest Conference and Film Festival is hectic! There’s so much to do, I don’t know how anybody can get it all done. I flew in Friday night and today is Wednesday, I’ve seen over a dozen films in the past 4 days and almost all of them have been great. Here’s a quick recap of what I’ve been up to. I’ll be writing more in depth reviews when the festival is over.
Day 2: Saturday, March 13th.
After picking up my badge and finding my way around a bit, I sat down for my first movie, a movie I wasn’t even planning to see: Marwencol. It was a great and tragic story about a man who was almost beaten to death regaining his life through an alter life in the form of action figures and dolls. I tried to get in to a film called Mars at the Ritz but I have still yet to be able to make it into a screening at this theater…it has been packed! Instead, I got some food and then headed over to the Paramount where most of the big premieres were taking place and saw the French film Micmacs and then Cyrus starring John C. Reily and Jonah Hill…they were in attendance for a Q&A afterwards.
Day 3: Sunday, March 14th.
I tried to get a few interactive events in today so I didn’t start watching movies till later. I was back at the Paramount for Mr. Nice and Elektra Luxx. Mr. Nice was the true story of Howard Marks, a British drug smuggler. Elektra Luxx is the sequel to Sebastian Gutierrez’s Women in Trouble starring Carla Gugino, Joseph Gordon-Levitt, Malin Akerman, Adrianne Palicki, Emmanuelle Chriqui, and many more…most of them were in attendance which kind of saved the night because the projector stopped working before the end of the film.
Day 4: Monday, March 15th.
To make up for the day before, I watched 6 movies today, yes 6. I started off with a film I really wanted to see, Pelada…and it was amazing! 2 Americans travel the world playing pick up soccer games. I sat next to the 2 player-travellers in the film. It’s my favorite film of the festival so far. I tried to get into Tiny Furniture at the Ritz, but again it was full, so I saw Beijing Taxi followed by American: The Bill Hicks Story. Beijing Taxi was a stale documentary about a couple taxi drivers in Beijing before and during the Winter Olympics. American: The Bill Hicks Story is the story of comedian Bill Hicks who became more of an activist as his career progressed. I went to a smaller venue, The Hideout, to watch a Finnish film called Living Room of the Nation which put cameras in a few Finnish homes to see how stories unravelled through everyday life. Then I went back to the Paramount for the world premiere of MacGruber, the SNL skit starring Will Forte, Kristen Wiig, Maya Rudolph, Ryan Phillippe, and Val Kilmer. It was actually hilarious, I’ll write a full review soon. Elektra Luxx was played again tonight since it broke down the night before, so I caught the ending of that.
Day 5: Tuesday, March 16th.
This was the ending of the interactive and film conference so I watched some internet related films. I started off the morning with Erasing David, a British filmmaker sets off to disappear for a month and hires 2 private investigators to try and find him using only publicly available data. It’s about the state of our privacy in society today. Then I set up shop at the Paramount again and watched 3 films back to back. I couldn’t handle the last one (Skateland) and will have to catch it later. I heard good things about it so I’m sure it’ll get picked up. I started off with Hood to Coast, a film documenting a few teams during this epic marathon from Mt. Hood to the coast of Oregon. Followed by The People vs. George Lucas, another documentary about the angry fans of Star Wars. And finished the night with Harry Brown, a great in your face thriller starring Michael Caine.
So that was 14 films and 1 twice. There’s hardly any time in between to eat! I still have 4 more days but I’m probably going to see less and less movies. I took most of today off to try and get some work done in the middle of the week and I’m planning on catching the other side of the South By Southwest festival, the music. Tonight, I plan on seeing Get Low, Cargo, and maybe another film. For the next couple days I will try and see The Runaways, Monsters, Higanjima, World’s Largest, The Red Chapel, and maybe Canal Street Madam, The Parking Lot Movie, and Mars.
Are you guys interested in any of the movies I’ve seen, am trying to see, or other films of the South By Southwest festival? Let us know!
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
Right now I’m on my flight from San Francisco to Austin, TX. It was delayed an hour which gave me even more time to finally read through the films that will be screened at South By Southwest and try to plot a plan of which films I’ll be watching. I love film festivals, you can jump from film to film and see a month’s worth of movies in a week (sometimes even 2 months!). I love figuring out the logistics of which movies are must see, which ones are only being shown once or twice, and which films I should skip to catch up with old friends or catch some of the music shows at this festival. Needless to say, it’ll be intense!
Day 1
Totally missed. I flew into Austin on the first day of the festival so I’ll be missing the opening film which was my most anticipated film…Kick-Ass. I’ll just have to catch it with everyone else or hopefully catch an advance screening in San Francisco (wink wink Lionsgate Films).
Day 2
If I wake up early enough, I’ll try and catch The Freebie, a film about a young couple who gives each other a free night with someone else.
Mars – an animated romantic comedy about astronauts and robots travelling towards the red planet. I want to know if the astronauts and robots fall in love with each other or stick to their own.
Cyrus The Duplass brothers comedy starring John C. Reily, Marisa Tomei, and Jonah Hill. John C. Reily’s character hooks up with the ridiculously hot Molly (Marisa Tomei) who has an adult son (Johnah Hill). Kind of sounds like a sequel to Stepbrothers..we’ll see.
There’s also a Super Secret screening…we’ll see if it’s worth going to.
Day 3
I think I’ll take the beginning of the day to attend panels and hang out with my interactive festival friends (I am a developer at heart). Also, Facebook is having a developer’s garage so I’ll attend that and hopefully code some great stuff for the facebook users of advancescreenings.com.
The movies of the day will either be Mr. Nice, a true story about Britain’s most wanted man, or Pelada, the other side of soccer and either Futurestates, which seems to be a collection of short stories about different economic scenarios, or The Parking Lot Movie – the title is exactly what it sounds like. So many options!
Day 4
If I didn’t get to catch Pelada (the soccer movie) I could catch it this morning. Followed by Tiny Furniture and Canal Street Madam or American: Bill Hicks. Tiny Furniture is a tragicomedy about a 22-year-old who comes home from college just as she went in – with no skills, no love life, and a lot of free time. Canal Street Madam is about Jeanette Maier trying to re-invent herself after her infamous family-run brothel is raided by the FBI. American: Bill Hicks is an animated film about the true life story of the outlaw comic who tried to save the world. The highlight of this night is MacGruber, yes a full length movie of the SNL sketch staring Will Forte.
Day 5
One of the movies that I missed on the first day is showing again today. It’s called Erasing David and sounds very interesting and very fitting for this interactive/film festival. Filmmaker David Bond disappears for a month and hires two of the world’s top private investigators to track him down using only publicly available data. Sad to say, it conflicts with a film called Like a Pascha about the largest brothel in Europe…Canal Street Madam is playing again and then the highlight is Harry Brown starring Michael Caine.
Day 6
I’ll start off this film with another one I missed on the first day, World’s Largest. It’s about all those weird roadside attractions you see in tiny towns while driving cross country. If I can squeeze it in, I’ll see Cherry, a film about a virgin who drops out of college and encounters an older woman and her underage daughter, before the film of the night, Get Low starring Robert Duvall and Bill Murray.
Day 7
To be honest, I’m excited to check out Austin Carniville which is March 18, 19, and 20 (Day 7, 8, and 9). Luckily, the films during the day don’t intrigue me too much. The movie of the night is The Runaways starring Kristen Stewart and Dakota Fanning, I’ll either catch that or Mars and Like a Pascha.
Day 8
I can catch a bunch of films today in case I missed them earlier in the week including Canal Street Madam, The Parking Lot Movie, Pelada, and Mars…or go to the Carniville again .
Day 9
THE FINAL DAY!, World’s Largest plays again as well as Hood to Coast, Tiny Furniture, and American Bill Hicks.
That’s the plan…let’s see what actually happens!
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
advancescreenings.com will be heading to Austin, TX for the South By Southwest Film Festival this year and we couldn’t be more excited. There are tons of films screening everyday of the festival that are sure to be great. I think I’m most excited about Kick-Ass eventhough I’m flying in too late to see the screening I may be able to catch the panel the next morning though.
I’m looking forward to seeing screenings of Cyrus, The Runaways, The Girl with the Dragon Tattoo, and The Canal Street Madam.
Do you guys have any suggestions or want me to see anything for you? Check out the full list of films at SXSW this year and leave your requests or suggestions in the comments! Also, if you’re going to be there too, find me on Twitter @matthewfong and let’s watch a screening together or grab a beer!
This post is part of our SXSW Film Festival coverage The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. The internationally acclaimed, nine-day Film Festival celebrates raw innovation and emerging talent, with a truly diverse program ranging from provocative documentaries to subversive Hollywood comedies.Visit South by Southwest’s Official Website
From the director of such films like Amelie, Alien: Resurrection, and A Very Long Engagement, comes Micmacs. This is the most imaginative revenge story since Kill Bill with a whole different approach. From what Jean-Pierre Jeunet, the director and co-writer, said, Micmacs is French slang for shenanigans and there are plenty of them in the movie. The story begins in such a weird fashion that it sets the tone for the rest of the film. First, a man is killed by a rogue weapon that goes haywire and leaves a son without a father and only a company logo to look at as the killer. Later on, the same son is working at a video shop and happens to stand in the exact angle of a rogue bullet so that it strikes him in the head. Luckily, he survives but unluckily, the surgeon operating flipped a coin and decided to leave the bullet in his head causing random hallucinations at random times which he can’t control. Again, with the bullet, the only clue he has is another company logo.
This post is part of our SXSW Film Festival coverage
Cyrus is an interesting story from the Duplass brothers about a guy down on his luck who finds the girl of his dreams. One problem, she’s really close to her only son…who’s 21 and still lives at home. Let’s back up a bit. We join John, played by John C. Reilly, as he continues to live his mundane single life after splitting with his ex-wife (Catherine Keener) seven years before. He’s still on good terms and pretty close to his ex-wife but she and her fiancé want him to get on with his own life and find somebody else. They invite him to a party which he reluctantly goes to and eventually makes an ass of himself in the process. But in the same night at the same party, he meets Molly, played by Marissa Tomei, and they hit it off right away…in a quirky way. The dialogue between them and throughout the movie is hilariously awkward. The only thing more awkward is Molly’s son Cyrus, played by Jonah Hill, and the relationship the mother and son have together.
If you’re a fan of the MacGruber sketch on SNL, you’ll love this film. If you’re not a fan, you’ll still love this film! It was hilarious. It’s a nonstop comedy mixing NSFW jokes with a plot which pokes fun at all super-spy/evil villain movies. Granted, I saw it at the World Premiere at the South By Southwest Film Festival where almost everyone wanted to see the film and was laughing and cheering the whole time, but I think that attitude will translate to theaters around the country. I kept thinking to myself, if I was in a regular theater on a Friday or Saturday night, would I still be laughing this much? I think I would. This is definitely a movie to take a group of friends to. You’ll be laughing at MacGruber and you’ll be laughing at each other for laughing at it. But how could they turn this short sketch that always ends in a fatal disaster into a feature length film? Well, let me tell you…
Pelada was such an amazing film. You get one of those feelings like “Am I really watching this right now?” I really hope this gets picked up by someone and in time for the World Cup this year when everyone cares about soccer (in America) again. Pelada tells the story of two Americans who love the sport of soccer. They’ve played virtually their whole lives, in college, but weren’t signed to a national or major team. However, they still play all the time and they’re usually asked why. The only answer they can give is that it’s for the love of the game and they can’t imagine life without it. They play pickup games and they’re not alone. Pelada follows these two on a journey across the world playing soccer games, learning about other cultures, and in the end…themselves.
Heading into college early as a seventeen year-old, Aaron (Kyle Gallner) had a lot of growing up to do. He did just that in his first year away from family and friends…primarily his mother who influenced and controlled many aspects of his life. One thing she controlled was his class schedule, but as she left, his father gave him so advice: to not mess up like he did. Aaron decided that he wanted to take a drawing class since that was his passion instead of a mechanical elective which was pretty much just like the rest of his academic classes. His teacher didn’t let him leave his class since it was such a big opportunity, but Aaron took the drawing class anyway on top of his already heavy load. This is where he met Linda (Laura Allen), a slightly older student who came back to college. One thing led to another and she invited him back to her place for dinner. Aaron got dressed up and was ready to go on a date with this hot cougar but when he got to the house he met someone he didn’t know about or expect…her daughter. Her fourteen year-old daughter.
This animated film was really surprising. I missed the first screening because way too many people showed up to see it. The screening I got to attend was in was packed too. At first I didn’t know if it was full because of local support (the filmmaker and many people involved with the film were from the city where the festival was taking place, Austin) or if the movie was actually good. Well, both were true.
Sir Michael Caine is Harry Brown. You don’t want to mess with Harry Brown. At first glance, he’s your typical old Englishmen trying to live the rest of his life in the area he knows. However, his community is being overrun by gangs and young kids doing drugs and up to no good. The police don’t have much presence and most of them would rather just leave the area alone rather than do something about the crime. Initially, Harry Brown is the same way…he turns the other cheek until his best friend has enough and decides to take matters into his own hands. His friend didn’t have much luck…but he’s not Harry Brown….and Harry Brown is a badass.
Starring Robert Duvall, Bill Murray, and Sissy Spacek, Get Low is a story of redemption, forgiveness and reputation. Loosely based on a true story, Get Low is about an old hermit living in the woods who decides to attend his own funeral. Living in isolation for about forty years, Felix Bush started to get a reputation of being a crazy and horrible man. He heard about all these stories about him but didn’t actually know the stories since nobody was actually courageous enough to talk to him. So, naturally, he wanted to hear these stories and knew that people would say them at a funeral eulogy. One problem though, he wasn’t dead. But why does he have to be?
Centurion was the Super Secret TBD Screening at the 2010 South by Southwest Film Festival. I couldn’t find out any information about which film it was going to be and honestly, when they said it would be Centurion at the theater doors, I had no idea what the movie was and had no time to look it up online. So throughout the entire film, I was trying to figure out if it was an old film or a film that had not come out yet. It’s the latter…it’s planned to come out in the UK in April and there is no planned US release date yet. I couldn’t tell if the film was new or old because it’s a time piece based in the first century and is filmed in a way that puts you back in that time. It’s a bit grungy and definitely not polished with newer techniques and high tech CGI. Don’t get me wrong, that doesn’t take away from the movie at all, but instead, it adds to it.
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This movie will span many generations. Memories will be relit for those who lived through the golden age of Rock and Roll and for the younger viewers; it will give a glimpse into a true story that should be told for future generations so it’s great that this movie was made. The Runaways takes us through the journey of a group of young girls who become one of the first all girl rock bands when the industry was almost completely male dominated. The plot focuses mainly on the relationship between Joan Jett and Cherie Currie played by Kristin Stewart and Dakota Fanning, respectively. Managed by Kim Fowley, this mishmash of girls are brought together to be trained into rock stars. All together, it was an entertaining well-paced movie. In most rock docs, they concentrate too much on one aspect of the rock band; usually the early years or after they finally make it. The Runaways has good balance through the whole story taking us from the beginning to the eventual end of the band.
To see the first half of my recap, 
.
I may be able to catch the panel the next morning though.
