Posts Tagged ‘Sam Worthington’

REVIEW: Wrath of the Titans

Thursday, March 29th, 2012

All these Greek mythology movies are starting to give me a headache. Immortals? Percy Jackson? Blank of the Titans? All of their stories are starting to merge together and we forget who stars in who and which Gods are in which. Wrath of the Titans is the sequel to Clash of the Titans from about two years ago and follows the story of the demigod Perseus (Sam Worthington). He’s somewhat of a God now himself after defeating the Kraken in converted 3D. You should know what to expect from this series and they don’t hide it in the trailers: Greek Gods, Enormous Monsters, and Explosions. If that’s what you want, Wrath of the Titans will quench your thirst.


There’s really no point into going into the story…it’s basically the same storyline as the last one. The Gods believe it’s the end of days and Perseus must save the day because for some reason being half human is better than being full God. This time, instead of the Kraken, the big boss at the end is Kronos, the father of Zeus, Hades, and Poseidon. He’s trapped in the constructed prison of Tartarus located in the underworld where a bunch of these other demons are being released from. Demons like Chimera, a double headed fire-breathing dog-like thing or another and Makhai, a sword-wielding siamese mutant that takes the term eyes in the back of my head one step further.

Wrath of the Titans

The monsters of Wrath of the Titans (the true stars)


They keep the Greek mythology to a minimum here including only a handful of Gods: Zeus (Liam Neeson), Hades (Ralph Fiennes), Poseidon (Danny Huston), and Ares (Édgar Ramírez). They lay on the mythological explanations pretty thick making sure they all keep referring to each other as “my brother” or “my son” so you don’t get confused with who is who. I really enjoy the mythology so I was pretty disappointed that they limited it so much. Our two new characters are another demigod Agenor (Toby Kebbell) who is the son of Poseidon, and Hephaestus, the fallen God who forged all of the God’s bad ass weaponry like Zeus’ lightning bolt, Hades’ spear, and Poseidon’s trident. Bill Nighy did a terrific job playing Hephaestus as a lunatic talking to an owl but Toby Kebbell didn’t quite sell me the overused funny/clever liar/thief that the crusading party can’t trust but has to trust because otherwise the movie wouldn’t move on.
Wrath of the Titans

The motley crew of Wrath of the Titans (all typical roles represented)


If you haven’t guessed, there’s a journey involved into the great unknown. Stuff happens that sets them back and I guess we’re supposed to believe that they won’t succeed? Come on, you’ve seen this movie before…the non important people in the group die but they get there just in time but it’s not just in time, they’re a little late but they figure something out and change plans for a last ditch effort and then a whole lot of people have to die until the final plan is done and then Perseus rides on his Pegasus and saves the day once again and and and you get the idea. This movie did have one of the coolest labyrinth scenes though. Whenever I see a maze, I want it to move and interact like it did in this film. And of course, with a labyrinth comes a minotaur so they threw that in but I was they didn’t because it was just more monster filler.
Wrath of the Titans

SPECIAL EFFECTS! LIGHTNING LAZERS ZOOM!


Everything you expect going into this film is what you get on screen. The main point is that they didn’t mess it up. The story is just good enough to keep your attention span for the length of the movie and the big explosions and gruesome monsters are enough to enjoy the visuals. The 3D is actually pretty playful and fun in this one leaning more towards the gimmicky side than the layered immersion side. There are no “wow” or “awe” scenes in this one, just more of the same grunting action that you got from the original. All the characters are interchangeable and none of them really developed but who cares? The audience just wants to see big monster carnage, right? There are already talks for a third installment but I can’t fathom what they’d do next…they’d have to use their God powers to keep me coming back…or just make another monster a little bigger than the last one that moves a little faster. Why do big beasts always move in slow mo?

REVIEW: Man on a Ledge

Friday, January 27th, 2012

Man on a LedgeMan on a Ledge is some of the most ridiculous fun you’ll have in a theater. It’s stupid. It’s implausible. But it’s fun. With a title like Man on a Ledge, you should know what you’re getting yourself into and by 10 minutes in, you’re there – on the ledge…with the man. The plot is dumb, the characters are foolish, and the whole scenario is played out. But it’s fun. There are laughs, there’s some action, there’s some suspense, and a bit of sex appeal thrown in there as well. You’ll get your money’s worth but you should probably save your money.


Nick Cassidy (played by Sam Worthington) is the Man on a Ledge. He checks into a nice hotel with plenty of exposure, orders breakfast, and then goes outside of his window and onto the ledge. Don’t worry, the entire movie isn’t about the ledge…there is more than meets the eye. You are given some back story, cryptic clues and then left to figure out what’s going on. But again, don’t worry, the script is made for five year olds and everything is laid out for you so you don’t have to think too hard. This is definitely a popcorn flick so actually there is no thinking involved at all. Before you know it, you’re in a totally different movie but there’s still a man on a ledge.

Man on a Ledge

Sam Worthington and Elizabeth Banks on the ledge...


This is the kind of movie where you sit back and escape for a couple of hours. If you liked Tower Heist, you’ll enjoy this one too … it’s in the same vein of mindless fun and retribution for the underdog. Ed Harris is the top dog and misplaced in this movie by strides. Joining him is Anthony Mackie as Mike Ackerman, Nick’s old partner, Edward Burns as Jack Dougherty, another cop, and Elizabeth Banks as Lydia Mercer, the cop negotiator requested to talk Nick down. Jamie Bell is Nick’s brother and his girlfriend is the hot hot hot Angie (played by Génesis Rodríguez). I don’t know if this was an inside joke or just terrible casting but Kyra Sedgwick plays a somewhat Hispanic news reporter called Suzie Morales…heavy on the Morales.
Man on a Ledge

Suzie Morales


No one really acts. They don’t really need to…the movie is called Man on a Ledge. The movie is straightforward and leaves you the same as you entered. They screened this movie for a full month so they’re banking on a lot of word of mouth and they will probably get it – audiences left this movie with smiles and chatter. It’s a movie for everybody and a movie for nobody as it doesn’t really teach you anything but there’s no barrier to entry either. Just a mindless story that didn’t really need to be told. There’s so much to laugh at…but, it’s fun.

REVIEW: The Debt with Q&A from Director John Madden

Wednesday, August 31st, 2011

The DebtThe Debt is a true thriller – it will keep you perched on the edge of your seat or makes you sink back into your chair as you feel the actors’ emotions and director’s message. This is yet another remake (but you probably haven’t seen the original which is an Israeli film from only 4 years ago). The director, John Madden, takes his artistic license and switches things a bit to make the story appeal to a much broader audience while keeping the same chilling undertones. The movie follows three Mossad secret agents who share a deep secret. The movie goes back and forth in time giving you hints and pieces of stories allowing you to try and figure out what actually happened. There’s action, there’s thought-provoking scenarios but foremost, there’s unbelievable tension.


The movie features a set of young actors and seasoned professionals. “Present” day is set in 1997 as Sarah Gold (Romi Aboulafia) publishes the heroic tale of her parents in story of espionage and country pride. Helen Mirren is Rachel Singer, the estranged wife of Stephan Gold (Tom Wilkinson). Ciarán Hinds is David Peretz, the third member of this secretive trio. Together, they went on a mission in Germany to capture the devilish doctor known as the Surgeon of Birkneau for the crimes he committed against the Jewish people in World War II. You go back in time to 1966 with the younger versions of Rachel (Jessica Chastain), Stephan (Marton Csokas) and David (Sam Worthington) to relive the mission and experience it first hand.

The Debt

gripping


Intense isn’t enough to describe the claustrophobic feeling you have while you’re locked away in the small apartment these three lived in behind enemy lines. You get anxious as they pace back and forth, joy as they take infrequent moments to realize they’re still only human and excited when they hatch their plans. The trio comes together, falls apart and must cope with their misfortunes both in the past and present. The acting is superb from all accounts, young and old. The most memorable performance comes from Jesper Christensen who plays Doktor Bernhardt aka Dieter Vogel. He is twisted and powerful in his actions – you’ll go through many thoughts pinning him as a lunatic, follower, regretful soul and every other option that his character can hold.
The Debt

The action isn't only in the past


I didn’t automatically like this movie when it ended. It leaves you in such a weird feeling that it’s hard to describe which means it did its job. It leaves many questions unanswered so the audience can answer them with their own perspectives. The story doesn’t have a defining line of right or wrong so the audience is left to figure out what or who the greater evil is. There are obvious themes that run through the movie based on the subject matter but really, the concept behind the entire storyline can be applied to almost any scenario. If you’re ready to see a quality movie that you actually have to think and pay attention to, then The Debt is a great choice to see. It will leave you tossed and turned but you’ll eventually come to terms to appreciate it.



Director John Madden attended the screening and had short Q&A:


When asked if it was easier to direct the young or old cast members, Madden responded that he approaches each actor differently. “It’s about creating a relationship between the actor, the character and yourself.” He says that he doesn’t say a lot to actors because you don’t want to. There should be a blueprint in the script so that the character is clear to actors and then hopefully clear to the audience but still gives room to act. The “distinguished veterans of the profession” could say that they had it easier because they go to look at the scenes I cut since the movie was shot chronologically.
The Debt

The young cast of The Debt


He didn’t take a writing credit because he didn’t put pen to paper. “That’s not the point to take credit because I have to have influence / have to know where you’re going especially with a thriller, you have to make the page when you write it / edited it quite close to the way we wrote it.”


When comparing his movie to the original, he said his version concentrates a bit more on the unravelling of their lives. Moral responsibility not just the experiments but the pursuers misguided political mission. He considers it more of an adaptation than a remake.

REVIEW: Clash of the Titans

Wednesday, March 31st, 2010

Clash of the TitansHere’s the gist of it: Clash of the Titans follows a demigod (half man/half god) named Perseusas as he fulfils his fate to bring in the new era of man and replace the rule of the Gods. Man was created by Zeus and man’s prayers fuel the God’s immortality. However, Man started to grow tired of the Gods and started to turn on them. Hades, Zeus’s bitter brother, decides to use this opportunity to overthrow his brother and take power over both Gods and Man through his pet monster called the Kraken. Long story short (the movie is 2 hours long), this is yet another one guy goes on a journey, meets people along the way, finds himself, and saves the world movie. The visuals are pretty poor, the acting is blah, and the music is mundane. It definitely should not be in 3D, but more on that later…


I’m going to try and steer you away from this movie and give you some alternatives. Percy Jackson and the Olympians (review) which is actually a pretty similar story line and shares some of the same Greek myths and themes, has better imagery (you can put almost identical scenes side by side) and is honestly more entertaining. But, Percy Jackson was made for kids so if you want better action (and a lot more gore), wait for Centurion (review) which is in a similar era (not mythology, but still swords and arrows). It comes out in the UK next month, but I got to see a screening at the South by Southwest Film Festival and you can check out my review here.


When it comes to new things, a lot of the time after you take 2 steps forward (Avatar, How to Train Your Dragon (review)), you take 1 step back. Clash of the Titans was one huge step back…in more than one way. The biggest issue everyone will have with this movie is the unwarranted 3D. This movie was made in 2D but then the studio decided they wanted to squeeze a few more bucks out of it so they delayed the movie and made it 3D in post production. What does that mean? It means that instead of using the new 3D cameras that were made for and used in movies such as Avatar, they filmed the movie with regular cameras and added 3D elements after. As a result, the 3D was pitiful and in some ways distracting. If you can, watch this movie in 2D or just take off the 3D glasses, trust me, you’ll enjoy the movie more. To be honest, some of the scenes surprised me with how they could transform 2D into some cool 3D, but most of the time with most of the scenes, it was crap.


So, that’s one step back. This movie also took another step back for Greek mythology. They used the same old worn out stories and didn’t go in depth on anything in particular. I know this was a remake but there were only small glimpses of reimagination when there was so much potential to retell the golden tales of past and expose an audience to some new gems. As the movie stated when it began, the oldest stories are told in the stars…these are some of the greatest oldest stories; they could’ve tried to breathe new life into them. Instead, you got a blockbuster movie aimed to squeeze that first weekend box office for all its worth and then fall to the Kraken of public opinion.