Posts Tagged ‘San Francisco International Film Festival’

SFIFF Top 3: Gimme the Loot, Off Label, Polisse

Wednesday, May 9th, 2012

Gimme the Loot


Gimme the LootWithout a doubt, Gimme The Loot was my favorite film at the 55th Annual San Francisco International Film Festival. It was fresh, different, and completely entertaining without falling victim to typical film problems. They presented the work that they wanted to present without any played out formula, Hollywood attention grabbers, or undertone. Instead, Gimme the Loot is a compelling story about two kids being kids and growing up in the process; in some ways but not others. Malcolm (Ty Hickson) and Sofia (Tashiana Washington) are two young graffitti artists that bomb buildings in New York. When their tags get messed up by some other crew, they devise a plan to retaliate. What ensues is a couple days around the city following them try and raise money.


At first, Malcolm’s character was a bit annoying but he grew on me. Sofia had me smiling from the beginning – she’s a cute hardcore Brooklyn chick. Both of them run schemes and walk the line of trouble in New York but you can tell they’re just innocent kids with time on their hands. The characters they interact with and way they change their demeanor in various situations is spot on. The language is real for the most part and the camera work amazed me as it highlighted the city. I love how the movie turns into something a lot more than it is…even though you kind of had that inkling all along. You’re definitely allowed into this world and given a bird’s eye view to a modernized “Beat Street” environment. This one already got distribution so seek it out.



Off Label


Off Label“Don’t do drugs, but here, takes these.” What started as a documentary about pharmaceutical guinea pigs turned into something so much more. Off Label was a beautifully artistic view at a myriad of stories surrounding prescription drugs. Don’t let the name fool you and think this movie is only about off label use…it’s more of a metaphor for depicting something in ways you didn’t imagine. From prison guinea pigs to over medicated patients to an Iraq veteran, scorned mother, and so much more, directors Michael Palmieri and Donal Mosher show us the lives of people wound up in this medicated mess. Sure, we all probably know somebody popping pills for one reason or another, but the people involved in this film are on the extremes of the spectrum. You won’t believe some of the stories they tell until you hear and see them for yourself so do yourself a favor and see and hear it for yourself through this documentary. It’s beautifully shot and will keep you mesmerized throughout the entire thing…even through some scenes that are pretty graphic and difficult to watch.



Polisse


PolisseMy top film was a narrative. My second was a documentary. Polisse is a little bit of both. When the film began, I thought it was a real documentary about the Paris Child Protection Unit until the characters became too drawn out and the stories became too interconnected. Then I realized it was just a really well done narrative mockumentary and it took on a whole life of it’s own. Inspired by real-life cases, the movie illustrated how hard it must be to work on such a sensitive subject and then take it home with you every single day. How these officers must deal with some of their country’s worst people and then not emulate those same activities in their own lives. It’s definitely eye opening and as close to the real thing you’re going to get without watching something like COPS. I wrote a couple paragraphs on the film here.


San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF Roundup: Closing Night! Don’t Stop Believin’: Everyman’s Journey & Last Screening

Thursday, May 3rd, 2012

Tonight is the closing night of the 55th Annual San Francisco International Film Festival and the San Francisco Film Society intends to end it with a bang! The closing night film is Don’t Stop Believin’: Everyman’s Journey – a documentary about the rock band Journey and how they found Arnel Pineda, an unknown Filipino, to become their new lead singer. All current members of Journey are expected to be in attendance at the Castro Theatre and some tickets are still available!



Don’t Stop Believin’: Everyman’s Journey


Don't Stop Believin': Everyman's JourneyIn this fairly long (113 min) look into Journey and their amazing transformation from a somewhat American band to an International sensation, director Ramona S. Diaz tries to highlight way too much. Journey fans are going to enjoy every moment of it as it lasts longer than a Journey concert and shows the inner workings of the band while also offering up some concert footage. However, audiences may get antsy as the movie moves from this to that and then this again. The movie revolves around Arnel Pineda: from finding his breathtaking talent on YouTube, to seeing if he fits with the band, to watching him take control of stages all over the world on tour. It’s remarkable how someone can be plucked from obscurity and thrown into the fire like he was. The rest of the band: Neal Schon, Jonathan Cain, Deen Castronovo, and Ross Valory were supporting characters in the documentary whenever Arnel was around but when the movie switches to talking about Journey’s long and scattered history, their one-on-one interviews took center stage. And then back to Arnel and his depressing past of rock, women, and drugs (This is truly a rags to riches story). And then back to Journey on their sold-out tour which brought their name back to the top of the list of successful bands. The structure and editing of this movie needs a lot of work but there’s a great story here and it’s quite fascinating watch.



Last Screening


Last ScreeningI feel like it’s appropriate to couple a capsule review of Last Screening here since tonight will be every one’s…Last Screening (puntastic). Last Screening was part of this year’s very small The Late Show program and left a lot to be desired. About a psychopathic projectionist named Sylvain at a small one-screen cinema, Last Screening shows us a traumatic breakdown fueled by a cinephile’s childhood. The movie is typically as silent as the awkward Sylvain himself. It’s extremely slow paced while being pretty straightforward and not burdening the viewer with unnecessary scenes – I’m not exactly sure why they achieved that as the movie could have run a lot smoother and have been more entertaining. Most of the murders are left off screen so horror fans won’t get their socks rocked in this one. All together, it was a wash for me and doesn’t deserved to be watched. Don’t let the Last Screening be your last screening.


San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF Roundup: Decisions (The Giants, Will, The Loneliest Planet)

Wednesday, May 2nd, 2012

The Giants


The GiantsWhat happens when you leave your sons alone in a rural countryside with nothing to do and they run out of money? Probably not what happens in The Giants. Two brothers, 15 and 13 3/4 years-old meet another 15 year old boy who’s discarded by his family and start hanging out. Everything seems innocent – just boys being boys and getting into trouble – but without any future in sight, they start making horrible decisions. It never seems to bother them though, they just go with the flow as things start getting worse. Cursing at the top of their lungs by a fire turns into playing with a found gun into dealing with a drug dealer into breaking into and destroying a vacation home into so much more. But does it all even matter? They have found each other and isn’t that enough?



Will


WillWill is another boy that was abandoned by his parents. After his mother died, his father left him in an orphanage for years only to return with tickets to the Champions League Final. You see, Will is a Liverpool fan – possibly the biggest Liverpool fan with an encyclopedic-like memory of every game, player, and random fact to know about the team. Everything looks peachy again for Will until his father suddenly dies. It seems like this kid can’t catch a break until he decides to take matters into his own hands and go to the game anyway. Will is about the journey he takes to Istanbul to see his team play and the characters he meets along the way. It’s not an easy journey from England to Turkey but football fans are some of the best fans you’ll ever meet. If you’re a sports fan, this is a great watch for you and family. It’s heartwarming and might actually make you tear up a little in the end – especially if you remember going to your first big match in a big stadium.



The Loneliest Planet


The Loneliest PlanetBased on the short story “Expensive Trips Nowhere” by Tom Bissell, The Loneliest Planet is about a newly engaged couple on a backpacking trip through Georgia. They hire a rugged mountain man to be their guy and set off to have an adventure of discovery. What they discover is themselves when the whole movie switches tone and direction after one split-second decision. It’s incredibly tense and awkward and genious. The dynamics between the entire group changes and nothing can change the past. But can they find resolution for the future? That is up to interpretation. Between beautiful stretches of scenery and slow walking scenes, Julia Loktev allows us to travel along and feel like we are spending time right next to the couple on screen.


San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF Review: People Mountain People Sea

Friday, April 27th, 2012

“He has a fate, you have a fate.” People Mountain People Sea is a Chinese/Hong Kong film by Cai Shangjun starring Chen Jianbin. It’s a beautifully grim depiction of a horrific tale set in industrial China. Sparked by the murder of his brother, Lao Tie (Chen Jianbin) sets off to get revenge and finds almost every negative human trait as he travels from village to city. Drugs. Crooked Cops. Betraying Friend. Rape. Even an estranged son. This is a very slow moving film but it entices you with meticulous shots and expansive views thanks to director of photography Dong Jinsong. Visually, it’s stunning. The set-up is gripping. The follow through…nonexistent.

People Mountain People Sea

Lao Tie (Chen Jianbin) in People Mountain People Sea


The story seems simple: a man is robbed and killed for his motorcycle. The police know the murderer is Xiao Qiang (Wu Xiubo) but can’t follow through since he ran away to a different city. Lao Tie takes it upon himself to find the killer but you don’t really know what he’d do if he found him. While in the big city where he had failed to make success, you see how gritty life is as people literally live on top of each other. You can see why Lao is such a silent type only speaking when critical and always having a indiscreet look on his face. He interacts with anybody who could know where his brother’s killer is but nobody says a word, nobody cares.
People Mountain People Sea

Xiao Qiang (Wu Xiubo) is ruthless


When taking the trip with Lao to the city and seeing how drastically different it is from his small country town, it is quite an eye-opener. It’s seldom that we get a glimpse inside the true life of China and it’s not pretty. In this case, the movie feels more like a documentary than a narrative giving us exposure to something real rather than imagined. I really appreciated the camera work and tediousness of the movie for that. They created such well-crafted shots that you couldn’t feel any other emotion than awe for the film. They made inconsequential things beautiful and drew your attention away from the story just for a bit to see the true beauty of the film. It was very impressive.
People Mountain People Sea

"Even if you could change shapes, you'll be changed forever."


But then the story kept on. This whole time you’re experiencing a slow-burn thinking that the ending might have a gratifying resolution but then someone changed the channel and you wind up in another movie entirely. If you thought there wasn’t much dialogue or much going on in the beginning of the film, the end will have you cringe in your seat. I have no idea what happened but once the movie entered the illegal mine, I wanted out. The movie completely falls apart in the end which is incredibly sad because there was so much potential for it to be something grand. Luckily, people who will have access to this film are film aficionados anyway so they should appreciate the work for it’s startling qualities and patiently anticipate a quality movie from those involved. I’m treating this movie as a preview of what’s to come.


San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF Roundup: The Law! (Polisse, Informant, Compliance)

Thursday, April 26th, 2012

Polisse


Polisse is a well-crafted film from France that lies between Law & Order and Kids Say the Darndest Things. At first, I thought it was a documentary as they followed around their cast of characters on duty in a Paris police department…the acting was so superb and lifelike. However, it’s an extremely serious mockumentary that contains a splash of comedy and passion. The movie begins to slowly go into the personal lives of each of the characters and show how 1) their personal beliefs and situations influence how and why they do what they do; and 2) they have to carry the burden of work home with them.


Polisse is about the Paris Child Protection Unit and based on real-life cases. It’s sickening and disheartening and real. While running long, the movie gives us a glimpse into the lives of the strong and weak people of law enforcement. The movie gets a little confusing as more and more characters come into the spotlight and get mixed up into various side stories but it’s fun to pay attention to the few that interest you personally. They threw in an audience surrogate so that the audience can learn about the department and not just be a fly in the wall during their daily routines.


Polisse plays again on Thursday, April 26th.



Informant


Brandon Darby. If the name rings a bell, you probably have strong feelings about him one way or another. People are fascinated about him by proof of this documentary and the award winning, “Better This World” documentary from last year. While Better This World went into the story of two activists that were jailed for creating Molotov cocktails and the 2008 Republican National Convention, Informant goes into the story of the man who turned them in. Turned them into the authorities or turned them into the anarchists they were framed to be is up to discussion.


The documentary tells the entire story from his background to how he rose to fame in various activist channels to how he lost most of his support in his own community and switched sides. Pathological liar is a term that seems to go hand in hand with Brandon Darby and it’s interesting to see it first hand through close up interviews with Darby himself. The documentary uses old friends of Darby and expert commentary to contradict and expose Darby leaving you with no idea who to trust or believe. Interestingly enough, they also star Darby in reenactments of his own stories which just makes me believe he just wants to be in the spotlight. Nonetheless, he’s an interesting fellow and hard to decipher. Check out the doc and decide what you think of him for yourself.


Informant plays again Friday, April 27th.



Compliance


I want to rename the movie Compliance to Competence or Lack Thereof. Do you remember the stories about fast food employees who participated in ridiculous and lewd acts just because someone over the phone told them to…while claiming to be the police? Well this movie is based on all those true events. And it hurt to watch. I’ve never seen so many people leave a screening – over a 1/3 of the theater. The murmurs and conversations of the people that stayed were quite substantial as well. In my opinion, the film was neither good or bad – it was pretty manufactured and run of the mill but the subject matter is what polarized everyone. I guess that’s a testament to the fiilm making that it highlights it’s message and conveys it so well that nothing else really matters.


The movie is shot as a straight up narrative in pretty much real-time. It focuses on the manager of the ChickWhich as well as the counter girl who got abused. The whole theater became tense as everyone wondered why someone didn’t stop what was going on or question the man on the phone. There are many scenes where the movie lets you figure out what you would have done – or think you would have done – in those situations. It’s easy to roll your eyes and laugh but the most startling thing came at the end of the movie – apparently there were over SEVENTY instances of these pranks in over 30 cities. The delivery man in the beginning was right, “You’re fucked without bacon, I’ll tell you that!”


Compliance plays again Sunday, April 29th.


San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF Review: The Sheik and I

Tuesday, April 24th, 2012

The Sheik and I is so meta. It comically achieves it’s goal in a roundabout way without the audience realizing what is even going on. It doesn’t know what it is itself just as the majority of the audience has no idea about the subject matter. It’s a documentary. It’s a narrative. It’s art. It’s whatever you want to call it…especially controversial. Sharjah, one of the emirates of the United Arab Emirates, decided to have an art show and invited director Caveh Zahedi to make a movie for it. They never showed the movie at the show and they don’t want you to see it either. However, Zahedi is hiding behind America’s whole freedom of speech thing and you get to see whatever Zahedi wants to show you through his somewhat arrogant retelling of the whole film making experience.


A lot of the situation behind the movie doesn’t make sense. Why would a conservative Middle Eastern city invite a prolific documentary maker of taboo ideas such as, “I Am a Sex Addict”, commission him to make an “art as subversive” film, and then not expect him to make something that would ruffle a few feathers? At first they say there are no rules for this movie but Zahedi doesn’t play by the rules anyway. “It’s part documentary but part of it is not documentary.” He travels to Sharjah without an idea and just begins shooting the people he meets and making a movie from that. And yet, it still has more of a plot than many crap movies in theaters these days.

Caveh Zahedi and his crew...sans baby.


It’s interesting to see how he and his crew interact with the people of Sharjah and how many regular people are willing to or unwilling to help. We have to assume most of the people are just regular people and they are merely intrigued by the filming camera. What this evolves into is a movie about making a movie about making a movie you’re not allowed to show. The reactions that sprout from this experiment are pretty wide ranging. Many people hated it and many people enjoyed it. It was banned from the art show but apparently not because the powers at be didn’t like it but they were afraid to show it. In a climate of uprising right now in that area of the world, you can understand why.


Zahedi underhandedly set out to show how “cool” the people of Sharjah were by creating a movie for them with them about them. For me, it worked. It broke the many stereotypes of Middle Eastern culture while exposing how and why many of those stereotypes still exist. You can learn a whole lot more from a mockumentary without a goal that just exposes the people for who they are than a documentary setting out to exploit key features a filmmaker might want to tackle. You get a better understanding of the everyday lives and feelings of the people. You also get a better understanding of what they’re going through in terms of government and quality of life.

Typical baby snatching scene from the middle east


“In a place where there’s no freedom of speech, you cannot go and say there’s no freedom of speech.” I don’t think Zahedi intentionally set out to overthrow traditional ideas and shake up a government, he’s just a hard headed American trying to understand a people he knows nothing about. He was intrigued by the mystery of the state of life in the Middle East and seemed dumbfounded by how regular and easy-going the actual people of the land are. He wanted to include them in his artwork and by doing show, depict how cool he though they were. The documentary, mockumentary, art, bad film, whatever you want to call it was a fun watch and great exposure of the UAE…even if they don’t want you to see it.



The Sheik and I plays again Wed, April 25th at 6:30pm and Sat, April 28th at 9pm.

San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

55th Annual San Francisco International Film Festival

Wednesday, April 18th, 2012


The San Francisco International Film Festival is different. It’s the longest running film festival in North America but you can never put your finger on what it’s going to offer and you can never guess which films will be shown. The festival is run by the San Francisco Film Society and instead of sticking to a formula like many other festivals do, they try and curate a wide range of cinema that appeals to the wide range of audiences that inhabit San Francisco. Just as the city is mixed with all kinds of people and influences, so are the films that they show.


The 55th edition which runs for two weeks from Thursday, April 19th to Thursday, May 3rd at the Sundance Kabuki Cinemas, the Castro Theatre, SF Film Society Cinema, SFMOMA and the Pacific Film Archive in Berkeley is no different. This year they offer a wide range of world cinema, riveting documentaries, all kinds of shorts, and local treats. But how is an outsider looking in supposed to know what to watch? The only thing missing from this lineup are those big name Hollywood blockbusters anybody can find each week. Instead, THE SFIFF brings the obscure and hard to find works that deserve to be seen and need these kind of festivals to promote them. We’ll give you a few hints of what we think is interesting but you should be fearless in watching movies you know nothing about.



Gimme The Loot
Gimme the Loot just reminds of beat street from its synopsis. It’s about 2 New York graffiti artists who have to raise money in order to pull off a prank to get revenge on a rival gang. I missed it at SXSW where it won the Grand Jury award for Best Narrative so I’m definitely going to catch it at SFIFF.


The Intouchables
The film won the Tokyo Sakura Grand Prix (Best Film) award at the Tokyo International Film Festival and the Award for Best Actor to both Francois Cluzet and Omar Sy. Omar Sy also won the César Award for Best Actor and Étoiles d’Or for Best Male Newcomer. It’s pretty controversial dealing with French racism which Americans still try to hide from.


Robot & Frank
Coming from Sundance, Robot & Frank got mixed reviews but for the tech-heavy influence of San Francisco, I’m sure this film will get a warm welcome. It’s about an old cat burglar (Frank Langella) who receives a helper robot against his will.


TWIXT
This may not sound like much until you call it Francis Ford Coppola’s TWIXT. There has been a lot of anticipation for this one as it makes its way around the festival circuit before it gets a wide release. It’s a genre film (horror thriller) written and directed by Coppola about an eerie small town with a mystery. And if you didn’t know, Coppola lives in the bay area so he might just be sitting next to you at the screening.


Informant
If you saw “Better This World” last year, you definitely want to see Informant this year which is a documentary about Brandon Darby, the FBI Informant known for taking down the two activists in last year’s documentary which won countless awards including the Best Documentary Feature at the 2011 San Francisco International Film Festival. It will be interesting to see how San Francisco’s progressive audiences react to the other side of the story.


Polisse
Polisse was the winner of the Jury Prize at the 2011 Cannes Film Festival. Resembling a documentary, it’s a narrative going into the lives of the men and women of the Paris Child Protection Unit. It’s based on real-life cases but takes its liberties to give you a startling look into this disturbing world.





Last Minute Additions!
Even if you’ve studied the handy mini guide or program, you might not know that 6 new films have been added to the lineup:

  • Bernie plays 9:30 pm, Saturday, April 21, Sundance Kabuki Cinemas.
  • Nobody Walks plays 9:30 pm, Wednesday, April 25, Sundance Kabuki Cinemas.
  • The Do-Deca-Pentathlon plays 9:00 pm, Thursday, April 26, Sundance Kabuki Cinemas.
  • Lola Versus plays 9:15 pm, Monday, April 30, Sundance Kabuki Cinemas.
  • John Dies at the End plays 9:45 pm, Wednesday, May 2, Sundance Kabuki Cinemas.
  • Chasing Ice plays 7:15 pm, Thursday, May 3, Sundance Kabuki Cinemas.



San Francisco International Film FestivalThis post is part of our SFIFF coverage

Held each spring for 15 days, the International is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities, featuring 200 films and live events, 14 juried awards and $70,000 in cash prizes, upwards of 100 participating filmmaker guests and diverse and engaged audiences with more than 70,000 people in attendance.Visit an Francisco International Film Festival’s Official Website

SFIFF 2011: Top 3 Movies (Life, Above All, Hot Coffee and Stake Land)

Thursday, May 12th, 2011

Life, Above All

At every film festival, there’s always at least one film that becomes your personal favorite. You end up seeing dozens of movies and whenever anybody asks you, “So what have you seen so far that’s good?” you reply with your go to favorite. When I was asked that question at the San Francisco International Film Festival, my answer was Life, Above All. I was blown away from this movie and thought it was so beautiful in so many areas. The standout is obviously the young star Khomotso Manyaka who we talked about in our post about young actresses from the festival. It’s amazing how she had never acted before but carried this movie on her shoulders like a seasoned professional. Director Oliver Schmitz did an amazing job coaching her and eliciting a touching performance.

The movie was picked up from Cannes last year by Sony Pictures Classics so I hope it gets a good distribution because this is the type of movie that should be shown to almost anybody. It’s a moving and inspiring story about determination and keeping true to yourself and your morals. Chanda, the main character, is a preteen who must battle with almost everything in her life. Her stepfather is a drunk, her mother has postpartum depression, she must take care of her younger siblings, her best friend is the center of gossip in the neighborhood and turns to prostitution, and she has to do well in school to move ahead in life. How can one little girl deal with all of this? Watch the movie and find out, it’s fascinating.



Hot CoffeeHot Coffee

“The Film Society seeks to elevate all aspects of film culture, offering a wide range of activities that engage emotions, inspire action, change perceptions and advance knowledge.” The San Francisco International Film Festival had a great slate of documentaries this year that really spoke to this notion from the society. The movie that stood out the most for me was Hot Coffee from first time film maker, long time lawyer, Susan Saladoff. I was amazed that this was her first movie because it was so well done and polished. I was even more amazed at the content of the film which highlighted certain legalese terms and gave you a different prospective on it all.


Beginning with the famed Hot Coffee McDonalds case, this documentary changes your mind on what you thought you knew but had no idea. Once it grabs your attention, it keeps hitting you with more and more knowledge about things you should know about. It does what a documentary like this should do…get you angry and wanting to do something. As the movie goes on, it does get a bit bogged down by the legal terms as you would expect from a lawyer but it keeps mashing them up with real life accounts and stories that will keep you engaged. The movie premieres June 27th on HBO as part of the Summer Documentary Series…it’s not one to be missed.



Stake LandStake Land

If you’ve been keeping up with our SFIFF coverage, then there’s no secret that I loved Stake Land. Our full review is here. This is an imaginative apocalyptic vampire zombie movie. Done before? Sure, but not quite like this. Jim Mickle and Nick Damici took the campy genre and turned into a deep character-driven epic journey. It’s like if The Road had a pulse.


While most genre films do not get the respect they deserve, Stake Land demands the respect because it’s just a great feature rich film that happens to have horror elements in it. As I’ve said before, it’s my new favorite zombie/vampire movie and you should definitely check it out…it’s on VOD so even if it’s not playing in your area, you have no excuse! Again, here’s our full review.


an Francisco International Film FestivalThis post is part of our SFIFF coverage
Founded in 1957, the San Francisco International Film Festival is the longest-running film festival in the Americas. Held each spring for two weeks, the International is an extraordinary showcase of cinematic discovery and innovation in the country’s most beautiful city, featuring some 150 films and live events with more than 100 filmmakers in attendance and nearly two dozen awards presented for cinematic excellence. The Festival attracts an annual audience of more than 80,000.Visit an Francisco International Film Festival’s Official Website

SFIFF 2011 Roundup: Young Actresses (The Sleeping Beauty, The Joy, She Monkeys, Life, Above All and Another Earth)

Wednesday, May 11th, 2011

One theme I quickly noticed with the films at the San Francisco International Film Festival was young actresses. As film making becomes more accessible and more and more female directors start putting their vision on the big screen, they are including more stories and characters like themselves. So finally, women…and now young girls are being represented in film. This is a great time to get such fresh perspectives and new ideas from movies. Here are a few standouts with young female actresses. Many of them have never even acted before!



The Sleeping Beauty (dir Catherine Breillat)

This is an interesting French film about a young girl who is cursed by a wicked witch but don’t worry…this is no Disney film. Luckily, three young fairies counter the spell but even the three of them combined are not as powerful as the old hag. The best they can do is put her to sleep for 100 years and have her awaken as a 16 year old. Why 16? Because childhood is too long anyways.


Well the young Carla Besnaïnou’s childhood is even longer. She gets randomly adopted and falls in love with her adopted brother. As he hits puberty, he vanishes and she goes on a journey to find him while running into other young princes and princesses. Finally, she’s awaken by the descendant of Peter back in the real world as she’s awake from her dream and back into reality where she must confront the modern world and problems that come along with it. It’s always difficult to work with such young actors but Carla Besnaïnou is intriguing. At times you can tell she’s just a young girl having fun in front of the camera but at other times you get an incredible performance. She’s already a diva, you can tell but she’s a joy to watch through this fanciful fairytale.



The Joy (dirs Felipe Bragança, Marina Meliande)
As we move to a bit older crowd, The Joy follows teenagers in the rough neighborhoods of Brazil. The directors set out to find nonprofessionals and they stumbled upon 15 year-old Tainá Medina who plays the lead Luiza. These kids create a fantasy dream world while battling with the harsh realities of their own lives. Luiza’s cousin is shot dead and his ghost becomes the center of attention for Luiza and her friends. But soon, he must move on and so do they.


Luiza and her friends decide to be superheroes in their dream world. They believe the apocalypse is upon them and with strength and determination, they somehow combine their imagination with the real. The movie is a bit confusing as these mystical ideas come to fruition but the ending is so rewarding that you stop yourself and want to watch the movie again from the beginning. The nonprofessionals do a great job carrying the film but I feel some more experience actors could have portrayed a lot of the scenes better. Either way, this was the North American Premiere of The Joy and definitely one to sought out.



She Monkeys (dir by Lisa Aschan)

She Monkeys has both older teenage girls and a younger sister. The movie follows a reserved Emma (Mathilda Paradeiser) as she tries out for equestrian vaulting. She quickly meets Cassandra (Linda Molin) who is the top dog of the team…for now. Keep your friends close and your enemies closer they say…both Emma and Cassandra do this from the beginning but who is really using who? They become good friends but even greater competitors.


Then there’s Emma’s kid sister Sara (Isabella Lindquist) who is a bit sexually matured for her age. It’s interesting to see both Emma and Sara grow up at different stages of their lives while going through somewhat similar scenarios. It’s also interesting to see Sara fight for Emma’s attention while Cassandra takes it away. There are plenty of themes in this one including female sexuality, ruthless competition, society influences and family. It truly demonstrates that you never know what’s going through the head of some people.



Life, Above All (dir Oliver Schmitz)

This was a true surprise at the film festival for me. About a preteen dealing with numerous issues in a soweto (ghetto) of South Africa, Life, Above All is an amazing story of morals and social behavior. Khomotso Manyaka stars as Chandra and she remarkably has never acted before in her life. She was nothing less than amazing in this movie. She had to portray many emotions dealing with things like AIDS in the family, the deaths of a baby, her best friend in prostitution, as well as all of her neighbors looking with a heavy eye.


Trying to balance going to school and taking care of her younger brother and sister, you could tell that she wouldn’t be able to do it all. You would think she would fall to the same fate as her best friend or turn to some other vice, but the story is so inspiring watching Chandra deal with everything on her own while keeping her moral compass in the straightest direction. I was fascinated by this movie and hope it finds the right audiences to inspire even more people.



Another Earth (dir Mike Cahill)

A late addition to the festival was Another World which premiered at Sundance earlier in the year. This is a special movie because it was co-written and stars an up and coming star in our times, Brit Marling. Not only is she a great female actress but also a great filmmaker also being in my favorite film from the South By Southwest Film Festival, Sound of My Voice (which also premiered at Sundance). Brit has amazing performances in both of these compelling stories…she’s definitely one to watch!


This movie is about a duplicate Earth that suddenly pops into the sky. On the same night, Rhoda Williams (Brit Marling) crashes into an oncoming car and kills a man’s wife and kid. After being released from jail, she tries to go apologize to the man but instead builds a strange relationship with him. At the same time, our Earth makes contact with Another Earth and there’s a theory that we all have duplicates on the other planet but the day the Earths appeared to each other, our paths separated. Rhoda enters a competition to travel to the other world…could the man’s family still be alive?


an Francisco International Film FestivalThis post is part of our SFIFF coverage
Founded in 1957, the San Francisco International Film Festival is the longest-running film festival in the Americas. Held each spring for two weeks, the International is an extraordinary showcase of cinematic discovery and innovation in the country’s most beautiful city, featuring some 150 films and live events with more than 100 filmmakers in attendance and nearly two dozen awards presented for cinematic excellence. The Festival attracts an annual audience of more than 80,000.Visit an Francisco International Film Festival’s Official Website

SFIFF 2011 Roundup: The Late Show (Outrage, The Selling, Stake Land and The Troll Hunter)

Tuesday, May 10th, 2011

Some of my favorite programming from the San Francisco International Film Festival comes from the late night programming dubbed, “The Late Show.” This year was no different even though the program was a bit smaller. It Consisted of only four films: Outrage, The Selling, Stake Land and The Troll Hunter and I saw them all!



Outrage

Yakuza. The Japanese Mafia. Takeshi Kitano. Intrigued yet? You haven’t even began to understand the twisted stories and back stabbings that come along with Outrage. Family and territory are the top things these people care about. But above all that is honor and if you mess with that, you’re dead. Outrage has some gory and excruciating scenes that you have to believe are some what true in the mafia world. It goes over the top but just over the cusp of what may actually be going on in the underworld. These guys live their lives like nothing else matters and its such a fun time to watch them with two eyes wide open. If you can get through some of the muddled and confusing twists, you’d definitely enjoy Outrage.



The Selling

This movie really doesn’t belong in The Late Show program since it wouldn’t scare a two year old but it does have an ancient unnamed evil and would entertain any age. It’s a campy horror comedy about a salesman trying to unload a haunted house! I love the concept and the script was so funny. The lead actor (who also wrote the movie), Gabriel Diani, stole the show and really made this movie better than expected. You can read my full review here.



Stake LandStake Land

This is now my favorite vampire zombie movie. It’s just superb in so many ways. I can’t wait to re watch it again and see all of the things I missed or see it again with fresh eyes to make new interpretations…you don’t say that regularly with horror films. Stake Land takes the genre and injects it with soul allowing characters to develop and a world to flourish around them. You join an epic journey to the promised land but the tone and story is still grounded making the trip relatable. This is a must see for horror fans and a gotta see for everybody else. You can check out my full review here.



The Troll Hunter
You know the term, “This is Huge in Japan!”? Well, The Troll Hunter is “Huge in Norway!” This is a great mocumentary following a troll bounty hunter. Hired by a government agency, his job is to protect the forests and badlands of Norway from the ever increasing danger of escaped trolls. It’s just the right blend of ridiculousness, comedy and action that will keep you engaged for the entire film.


You get to see different types of monstrous trolls from ones that life in the forest, to those under the bridge and of course a three-headed one. The movie is imaginative and creative in the way it handles the monsters to the way the characters interact with them and each other. I would definitely recommend this film which will be getting a larger American release but be warned…trolls don’t like Christian blood!



an Francisco International Film FestivalThis post is part of our SFIFF coverage
Founded in 1957, the San Francisco International Film Festival is the longest-running film festival in the Americas. Held each spring for two weeks, the International is an extraordinary showcase of cinematic discovery and innovation in the country’s most beautiful city, featuring some 150 films and live events with more than 100 filmmakers in attendance and nearly two dozen awards presented for cinematic excellence. The Festival attracts an annual audience of more than 80,000.Visit an Francisco International Film Festival’s Official Website